White Zombie, the first feature-length "zombie" horror film, and the first Hollywood picture to popularize the notion of Haitian voodoo zombies, features Bela Lugosi as a witch doctor.The Dead Next Door was produced by Sam Raimi, who used a part of the revenues from Evil Dead II to enable pal J. R. Bookwalter to direct the picture. It was filmed completely on SUPER 8 and had a blend of cringe-inducing amateur acting performances and surprise professionalism.
World War Z is one of the poorest adaptations of excellent horror source material, yet it tells a fascinating narrative of a UN investigator searching for a cure or biological weapon to battle zombies.
Deadgirl delves on the sexuality of the undead, with a group of adolescent lads bickering over who gets to assault the dead girl next. The picture is effectively frightening and filthy, and it makes the list solely for proposing a use for zombies that had not been explored in this detail in the previous 40 years.
Nicholas Hoult portrays a zombie who spends his days roaming a derelict airport with hundreds of his brothers until he encounters Julie for the first time, at which point his cold, dead heart somehow melts.
A nurse travels to the Caribbean to care for a patient who may have the zombie virus and becomes involved in a voodoo cult mystery.
A comet approaches Earth, vaporizing almost all inhabitants and reducing them to dust. Those with partial exposure become zombies, despite the fact that this film is notable for being one of the least zombie-heavy on a list of zombie films.
In Rammbock, the change from human to zombie is more often caused by overwhelming emotions rather than infections. The movie is not very bloody.A crew of police officers enters an empty apartment building to locate the drug traffickers who murdered one of their own, but suddenly... zombies turn up.
28 Weeks Later is an often interesting, often scary, often powerful and often frustrating film for zombie/horror genre geeks, but it violates one of the unwritten rules of zombie cinema by having a 'main zombie' that escapes and robs the other infected of being perceived as legitimate threats.
The version of Night of the Living Dead that Tom Savini created in 1990 is a decent copy. It would be a classic if not for the name.
A lot of individuals die in a seaside town in New England, and the locals look like the ones who perished. These zombies can accomplish things on their own.
Robert Englund plays a town resident who might have turned into a zombie, and Jack Albertson is the strange coroner/mortician of the town.
Wyrmwood: Road of the Dead, a post-apocalyptic zombie picture with panache, is scary without being depressing, expressive without coming off as pretentious, and gruesome without link to info becoming Peter Jackson's Dead Alive or Bad Taste.
One Cut of the Dead is a charming zombie comedy about performers attempting to live-stream a zombie short film.
One Cut of the Dead is a film on a shoestring budget and DIY mindset, depicting the creative energy and adaptability of low-budget filmmakers like as George Romero.
Invading extraterrestrial slugs convert their victims into super-powered zombies. This risqué, tawdry horror picture set at a college seems like a zombified Animal House.
Hammer Horror created Dracula, Frankenstein, The Mummy, and Plague of the Zombies. Its zombies are decrepit and terrifying, and Night of the Living Dead's impact is clear.
Peter Jackson's horror-comedy Dead Alive has zombies and a lawnmower that keeps running despite being strangled with 1,000 gallons of blood.
The Beyond, directed by Lucio Fulci, is a zombie film that blends a haunted home aesthetic with demonic possession, the living dead, and ghostly apparitions, and is one of the most elegant Italian zombie horror films.
2007 saw the release of Paranormal Activity and Romero's Diary of the Dead. REC is the best found-footage zombie film, combining zombie folklore with Catholic spirituality.Everyone's phone would record a zombie outbreak in the digital era. This film offers an idea.
Pontypool's zombies are intellectual and otherworldly. I applaud it for taking the hard route and criticizing 21st century humanity's incapacity to connect and address important concerns.
Demons is a zombie film featuring preppy youngsters, warring lovers, a pimp with prostitutes, and a blind guy.
A mystery plan orchestrates the screening of a horror film and the spread of zombies and demons among the audience members, culminating in a meat grinder of practical effects brutality and survival.
The first Evil Dead movie was remade as Evil Dead 2, which is widely regarded as one of the greatest and most expertly timed horror comedy ever made. Additionally, it is illustrative of the shifting perspective that has been adopted toward zombies in recent cinema, as shown by this picture.
Both "28 Days Later" and "Shaun of the Dead" showed that zombies can be funny.
Although Dawn has more esteem, Day of the Dead is my personal favorite of George Romero's zombie films, and it reintroduces the science back into zombie flicks.
The science fiction film Re-Animator takes great pride in its clinical treatment to reanimated dead. As Herbert West, Jeffrey Combs portrays the crazy scientist who uses glowing green slime to bring the dead back to life.
In terms of key players in the history of zombie film, John Russo is a relative unknown, yet his sequel to Night of the Living Dead is one of the all-time zombie masterpieces.
Dawn of the Dead by George A. Romero is a major leap forward in terms of presentation, professionalism, thematic intricacy, and innovative visual effects. It is set in a garish mall overrun by zombies and has classic visuals that subsequent zombie films have sought to replicate or ridicule.